Multidisciplinary Artist & Educator


Installation: printmaking, sound, sculpture

Lament examines the fate of Aeneas’ wife Creusa in Virgil’s The Aeneid. Creusa is left behind by her husband, her spirit confined to the walls of Troy for eternity. Her story, little explored in visual culture, is amplified into an immersive narrative experience, allowing the audience to begin to inhabit the uncomfortable space hollowed out by Creusa’s spirit. This experience is crafted through drawing, 
sculpture, and spoken word. I have used the material language of the sea and the cliffs – clay, salt, and chalk – to make relics forged from the shadow Creusa’s spirit casts through history.

from The Aeneid
Book II

There came to my sight a pitiful phantom, the wraith
Of Creusa herself, but larger in form than of old.
In my terror, my hair stood on end, speech stuck in my throat;
Then she spoke to me, taking away my grief with her words

                            I that am Trojan by birth
And a daughter-in-law of Venus; but on these shores
The gods’ great mother will keep me.

Cavities I
Acrylic on paper


Ongoing, 2017

Cavities II
Acrylic on paper


Paintings made in response to a trip to Colombia
Ongoing, 2017

Roots I
Oil on board




A series of constructions in response to John Berger's And Our Faces, My Heart, Brief As Photos. I wanted to explore how the idea of home as a safe space can be reassembled once it has been dismantled and fragmented in the ways described in Berger's work, through different kinds of emigration and exile. With this in mind, I began forming constructions based on how these fragments of home can be translated so that they might fit back together.

Questions, collaborations, commissions? I am always happy to hear from you!

© Rebecca Truscott-Elves 2017